ROOM 12 RAV ALOIRAV’S ART
None of us can claim to be isolated in either our accomplishments or our crimes. There is no right or wrong, good or evil. There are only positive and negative influences for protoplasm by varying degrees of human weakness. We are simply either powerless toys of monstrous manipulators or victims of entropy. A possible purpose seems to be the elimination or diminution of suffering. To have some effect on destroying the state and assisting biosustainability w/o causing more agony in the world by our gratuitous existence may be the only positive. There is no decipherable ultimate meaning. One day, entropy will push us all into Brownian specks of moving dust.
The putative extra-terrestrial ancestor of us all.
The preponderance of slavery over time was predominately of whites – not blacks.
True democracy is achieved only post-mortem. At that moment, de-centalization overcomes centralized direction.
Old Black Moe
Janus (sold)
Third Eye
Papa
Destroying all fascistic-state power over the individual.
Destruction of Superstition
Visualization of the impossibly ridiculous.
(sold)
Visualizing impossibly ridiculous.
The Digital-Au Rape of the Gentile.
Written Law, a fishnet, catches people unaware. Voracious minions of the state (lawyers, prosecutors, judges, pols), like alligators, process the unfortunate catch for the “filthy-lucre” they are forced to deliver. Only the rich man escapes.
Nelson Mandela’s Necklacing
Hotel Aloirav Tower
Trans-Atlantic Bridge Model
Hotel Aloirav with Trans-Atlantic Bridge model and Tower
Negroes & women comprise the majority in the planet’s democracies. Indirect tyrants, representing the lowest intelligence among mankind, are easily bought by direct tyrants – Rothschild’s bread and circuses. By removing these political underlings there may be a semblance of liberty. (The tree of liberty, watered from time to time with the blood of patriots and tyrants.) Unacceptable. White males corrupt the evil system to survive. That survival leads to hegemony.
The second meaning is more biological. Only after rigor-mortis sets in is the body a Perfect Democracy. At that time, central control has moved to decentralized mass-action and microbial fermentation. All individual microbes have an equal voice, consuming equally of the deceased former corporate being.
Federal Reserve & Rothschild
Bilderberger Bounce. Rothschild sucks our blood, (spilling it on the ground with his eternal warring), immobilizing us to death with computers (binary code 1010011010 (666)), Au, and $ dollars.
Zionist Ritual Slaughter of Gentiles.
When Blind Despair consumes Harlot Hope.
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Enthralled, Demented, Retarded, Suicidal Eunuchs
PONTIBUS Intercontinental tetrahedralized matrix of calcium-silicate impregnated fibrous proteins. The community gives lasting biosustainability. (Model on site at Hotel Aloirav)
Jesus H. Christ
Donkey skull, mock of polery.
7-HEADED RED DRAGON
POLYPHEMUS
Zion eating Palestine
BIRTH-DEATH-HEAVEN Einstein-Rosen Bridge Portal, linking our spirits’ interstellar travel, into birth and after the 21 gram transmogrification of our lives into disembodied souls at death.
SPIRIT IN WALL
SLEEPING BEAUTY (On site at Hotel Aloirav. Accurate photograph not available.)
Mr. & Mrs. Clown
DREAM GARBAGE Virtual Suicide – When Harlot Hope can no longer seduce Monster Despair, and a bare bodkin does not appear.
ACCIDENT OF BIRTH – OUR DESTINIES ARE TAKEN OUT OF CONTEXT
Death Worshippers are individuals that believe in an other world (paradise) that they will enter at death if they have believed strongly enough in the Semitic scriptures, (the Torah, Talmud, Bible, Quran). People that believe in the unchecked power of A.I., Arms, and Money are also in this category. Death worship, through the instrument of mass suggestion, will bring nuclear catastrophe to us all.
The Rothschilds consume humanity’s substance as would cannibals. Rothschild’s sycophant Israel assists the miscreant family in the pillaging of our substance. Israel’s Christian sycophants assist both entities.
(The preceding architecture and sculpture images represent virtually all of Larry Lee Slot’s surviving art.)


















































